To fly is one of the deepest dream of the humans. The myth of Icarus has always inspired our imagination. The Futurism art movement in the early 20th century emphasized dynamism, speed, technology, youth, through the flying machines.
Quang Lam is interested to study the modernity (of Vietnam) by its industrial and technology’s development through this universal desire. This point of view has rarely used to understand the art history of the country.
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The main idea of the Quang Lam’s work in this exhibition is to explore the concept of the Far-East in which Saigon and Singapore are essential nodes for its representation.
From wikipedia about:
“The term first came into use in European geopolitical discourse in the 15th century, particularly the British, denoting the Far East as the “farthest” of the three “Easts”, beyond the Near East and the Middle East.[..] Significantly, the term evokes cultural as well as geographic separation;
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At the Art Institude of South-East Asia in Singapour , this series Terra Utopia has been displayed within the exhibition XEM – Meta Far-East.
It show how can the perception of the “Far” remain or evolve, from the antique geographical point of view to some more diverse perspectives as the colonization period to the current impact of the climate change.
These photos look like aerial landscapes of unknown coastal territories.
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There are places where architecture and urban planning are not only shaped by the needs of the Present but also by the beliefs of a life beyond.
This photographic series is imbued with this philosophy that shaped Hue, the imperial city in central Vietnam, founded only recently in the 19th century by the Nguyen dynasty.
Its construction follow the rules of Nature, those of Feng Shui:
Oriented on the cardinal points,
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Theses postcards written in early 20th century are unique archive sent from Ha Noi to different capitals of the world (Paris, Beijing, New York, Bruxelles, Hong Khong) give an historical value to the artworks
These conceptual maps are related to the colonialism epoch of Viet Nam in the early 20th century.
Hanoi is drawn in transparency over the foreign city meaning the lost of sovereignty of Hanoi at the expense of the external powers.
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For the creative event “Thiet Ke & Cong Nghe” in HaNoi , a whole concept of an airline company, named AIR SKYLEN has been presented
Airlines are the symbols of the technology’s level of a country. It also shares the values also international connections and exchanges.
AIR SKYLEN derived also from the term Skyline, which is the
apparent juncture of earth and sky, the horizon. It is often used to describe the silhouette of
cities skyscrapers against the sky.
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This installation is a part of Air Skylen project displayed at Hanoi Creative Week 2022.
The installation has a game video installed in an immersive environment built with a large city map of Hanoi and surrounded by photos of anonymous skyscrapers photo series.
The purpose of the game is to crash the airplane into growing buildings replacing them by trees. The score is defined by a green city percentage.
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“Water
haunts my dreams. It has always been source of obsession since I was a little
boy. In my obscure childhood recollections, water stirs up unsettling feelings.
I found myself in Tri An Lake by chance, the site one of the biggest
hydroelectric dams in the South of Vietnam. Here, water is the fate of the
people. They are the water and the water is their lives. It is also their
dreams, their hopes and hopelessness.
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The myth to reach the sky is as old as humanity, especially told in the myth of Icarus. It has become technologically possible in 20th century.
Architecture also embraced this myth as the new credo. Nowadays, the term skyline is used to describe this type of urbanism based on the vertical line. Skyscrapers became the symbols of the superpower of capitalism
With the vibrant red and blue colors which are creating a time lag impression,
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