Cholon Gebäude 440 Trang Hung Dao Straße (ehemals Dong Khanh Straße, Rue des Marins)
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Die Trần Hưng Đạo Straße in Cholon ist ein belebtes Handelszentrum, bekannt für ihre lebhaften Straßenmärkte, vielfältigen Geschäfte und zahlreichen Restaurants. Sie ist die längste Zufahrtsstraße und die Hauptverkehrsader von Ho-Chi-Minh-Stadt, durchquert zahlreiche Stadtteile und erstreckt sich über etwa 6 Kilometer. Ihre Geschichte ist eng mit der Entwicklung der Stadt selbst verknüpft.
Ursprünglich existierten Saigon und Cholon als separate Entitäten.
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Touristische Broschüre der Stadt Hue, Vietnam in den 50er Jahren
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Huế, die ehemalige Hauptstadt Vietnams, liegt etwa hundert Kilometer südlich des 17. Breitengrades. Wenn man Huế erwähnt, muss man unweigerlich an seinen Fluss und seine von Träumen und Poesie umhüllten Hügel denken, an seine prächtigen Paläste und seine Gräber.
Bild – Der Parfümfluss, eine Inspirationsquelle für Dichter und Schriftsteller der alten Kaiserstadt.
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Wunderschöne kaiserliche Paläste, über denen ein ewiger Eindruck von Stille, Frieden und Majestät zu schweben scheint.
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Saigon vintage architecture and lifestyle in the 50s and 60s
This exceptional series comes from the archives of the Inlen gallery. It stands out for its night shots, showcasing a brightly lit Saigon, then considered the “Pearl of Asia.” In addition to iconic landmarks like the Governor’s Palace, the Cathedral, and Ben Thanh Market, the photographer also captured lively spots such as the Rex and Thanh Chung cinemas, Brodard bakery, and the Dong Khanh hotel in the bustling Cholon district. This suggests that Saigon wasn’t just about official monuments,
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Tales from the Land of Dragons
This series intricately depicts selected nodes of the different threads woven throughout the last century of Vietnamese history, employing narrative elements reminiscent of a compelling tale.
According to ancient Vietnamese mythology, the people of Vietnam are believed to be descendants of a dragon and an Immortal. The prominent myth of the origins of the Vietnamese people involves Lạc Long Quân, a dragon lord, and Âu Cơ, a fairy, who had 100 children from 100 eggs.
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Series – Souls migration to the Mekong Delta
Photographer Quang Lam delves into the profound context behind his latest series.
“It all began with my exploration of my family’s ancestral tombs in Bac Lieu. According to family records, our ancestral vault is situated in the tranquil village of Hoa Binh, in the sub-prefecture of Vinh Loi, Bac Lieu province. My father was born in this village, which is home to around 2,000 residents and lies just 5 kilometers from the coast.
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Art Deco Building 213 Dong Khoi, Saigon
The Saigon’s historic main street goes from the Cathedral to the river. Its name changed three times following Saigon’s history, known as Rue Catinat, then Tu Do (Freedom) and now Dong Khoi (Total Revolution).
Consulates, prestigious companies, wealthy families business set their offices and apartments on that street where to be seen was the must.
213 Dong Khoi St. Block at the corner of Le Thanh Ton St was built in 1930s by Brossard et Mopin,
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Sun Harmonics
The site of Hue was chosen for its particular properties meeting the requirements of geomancy (Feng Shui) for the establishment of the Nguyen dynasty in the early nineteenth century.
Successively , the emperors prepared and built their graves for their last journey into the afterlife.
The vital fluxes still shine through these funeral palaces whose arrangement scrupulously follows the esoteric rules.
On the site of the tomb of the Emperor Minh Mang where the art of the garden and palaces is at its edge,
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Album – Historical Buildings of Saigon
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Scene – Patterns of Thoughts
This scene is part of the work on the series “Escape” talking about migration.
The theme of the psychological maze is explored through patterns of doors (Thy Nguyen Truong Minh Installation), corridors, rooms, and stairs in old buildings of Saigon.
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Story – Garden of Dream Objects
“Dream objects” subject has been developed by the Surrealists. The chance meeting of a strange object, a “slipper spoon”, provoked a sense of déja-vu to poet André Breton. That object was analyzed later as an artifact from his dreams.