Photo Art Exhibitions Photography

Review Exhibition XEM – Meta Far-East

Written by Dr Bridget Tracy Tan
Director, Institute of Southeast Asia Arts – Art Galleries
Academic Advisor (Southeast Asian Arts)
Nanyang Academy of Fine Arts

“Quang Lam’s style is unquestioningly about play, but also about accountability. He wants the viewer to know how we experience what we experience, through what we enact and the thoughts we think, the ways in which we move. His contribution to the exhibition is a series of installations demonstratng the state of the world.

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Review of the series “City of Hue, Architecture of Eternity”

By Prof. Steve Bisson, Paris College of Art
Chief editor Urbanautica Institute

The living conditions of the masses have not always coincided with an earthly Eden. Even today, this is the case if we observe urbanism and, in particular, the state of the suburbs or the metropolitan densities that leave little space for green dreams. A terrace is already a privilege. In its progressive urbanization, the human species has distanced itself from nature,

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Biennale The Wrong 2023 – Project Air Skylen

The Art Project – Air Skylen is participating the Biennale The Wrong 6th Edition, within the Pavilion ANIMA “Directory”, curated by Tam Nguyen, with advisories from Mai Huyen Chi & Xuan Ha and support from Duyen Le and Lien Nguyen

Review of the Art Project Air Skylen

This text has been written by the curator Tam Nguyen for the catalog of the pavilion ANIMA “Directory”

“Air Skylen (2022) embodies Quang Lam’s long-term research into the development of the Vietnamese airline industry.

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Meta Far-East – Immersive Sea Level Rising on Climate Change

Most of the countries in the Far East have coastlines. These territories will be affected by the sea level rising such as the megacities of Bangkok, Ho Chi Minh City, as it is written in the new study of the French National Center for Scientific Research (CNRS), the University of La Rochelle in France and the National Center for Atmospheric Research in the United States (NCAR).

By 2100, nearly 50 million people will face this higher than expected rise in sea levels.

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XEM Collective Exhibition – Meta Far-East Asia

The main idea of the Quang Lam’s work in this exhibition is to explore the concept of the Far-East Asia in which Saigon and Singapore were essential nodes for its representation.

From wikipedia about: 

“The term first came into use in European geopolitical discourse in the 15th century, particularly the British, denoting the Far East as the “farthest” of the three “Easts”, beyond the Near East and the Middle East.[..] Significantly,

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International Photo Biennale Hanoi’23 – City of Hue, Architecture of Eternity

This series has been presented at the International Photo Biennale Hanoi in 2023 at the exhibition “IN SEARCH OF THE LOST TIME”.

Quang Lam’ artist statement :

There are places where architecture and urban planning are not only shaped by the needs of the Present but also by the beliefs of a life beyond.

This photographic series is imbued with this philosophy that shaped Hue, the imperial city in central Vietnam,

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Air Skylen – Airports

For the creative event “Thiet Ke & Cong Nghe” in HaNoi , a whole concept of an airline company, named AIR SKYLEN has been presented

Airlines are the symbols of the technology’s level of a country. It also shares the values also international connections and exchanges.

AIR SKYLEN derived also from the term Skyline, which is the
apparent juncture of earth and sky, the horizon.  It is often used to describe the silhouette of
cities skyscrapers against the sky.

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Holding Water

“Water
haunts my dreams. It has always been source of obsession since I was a little
boy. In my obscure childhood recollections, water stirs up unsettling feelings.
I found myself in Tri An Lake by chance, the site one of the biggest
hydroelectric dams in the South of Vietnam. Here, water is the fate of the
people. They are the water and the water is their lives. It is also their
dreams, their hopes and hopelessness.

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Sutras of Tibet

Although Tibetan Buddhism integrates the three main vessels of Buddhism, it is distinguished by a set of practices and historical and artistic traditions that give it its special character.

The immensity of its territory, its millennial and contemporary history have shaped its expression and its art which are not only visible in the temples but along the roads and within the magnificent landscapes of the Himalaya.

In his different trips from 2013 to 2017,

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