The main idea of the Quang Lam’s work in this exhibition is to explore the concept of the Far-East Asia in which Saigon and Singapore were essential nodes for its representation.
From wikipedia about:
“The term first came into use in European geopolitical discourse in the 15th century, particularly the British, denoting the Far East as the “farthest” of the three “Easts”, beyond the Near East and the Middle East.[..] Significantly,
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This series has been displayed at Sa Sa Art Projects in Phnom Penh (Cambodia) with the XEM collective
Excerpt for the presentation text by curator Lyno Vuth
“In the exhibition, physical works by each of the five artists take forms extending from their presentation in the magazine. The works presented here by XEM deal with not only what separates us but also what bonds and unites us. The very same things can produce multiple complex effects.
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The texte has been written by Blanche CARDONER (Ecole du Louvre)
in her study – Contemporary photography Vietnamese and memory, Selection of works by contemporary Vietnamese artists or the diaspora working on their History
Manifestations and reminiscences of History: Quang Lam, R Like (2012 – 2015)
Quang Lam, on the contrary, is interested in a space highly representative of Vietnamese history in R Like… (2012 – 2015). The series may also be titled Reunification’s Reminiscence.
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To fly is one of the deepest dream of the humans. The myth of Icarus has always inspired our imagination. The Futurism art movement in the early 20th century emphasized dynamism, speed, technology, youth, through the flying machines.
Quang Lam is interested to study the modernity (of Vietnam) by its industrial and technology’s development through this universal desire. This point of view has rarely used to understand the art history of the country.
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At the Art Institute of South-East Asia in Singapour , this series Terra Utopia has been displayed within the exhibition XEM – Meta Far-East. It shows how can the perception of the “Far” remain or evolve, from the antique geographical point of view to some more diverse perspectives as the colonization period to the current impact of the climate change.
These photos look like aerial landscapes of unknown coastal territories. Far East Asia was a terra incognita to be discovered.
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This series has been presented at the International Photo Biennale Hanoi in 1923 at the exhibition “IN SEARCH OF THE LOST TIME”.
Quang Lam’ artist statement :
There are places where architecture and urban planning are not only shaped by the needs of the Present but also by the beliefs of a life beyond.
This photographic series is imbued with this philosophy that shaped Hue, the imperial city in central Vietnam,
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This installation is a part of Air Skylen project displayed at Hanoi Creative Week 2022.
The installation has a game video installed in an immersive environment built with a large city map of Hanoi and surrounded by photos of anonymous skyscrapers photo series.
The purpose of the game is to crash the airplane into growing buildings replacing them by trees. The score is defined by a green city percentage.
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The myth to reach the sky is as old as humanity, especially told in the myth of Icarus. It has become technologically possible in 20th century.
Architecture also embraced this myth as the new credo. Nowadays, the term skyline is used to describe this type of urbanism based on the vertical line. Skyscrapers became the symbols of the superpower of capitalism
With the vibrant red and blue colors which are creating a time lag impression,
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Speaking about “Extinction” is not only about physical matters but also on what is defining us as social humanity within an economical and legal system. Hong Kong is a unique because of its location as a door for both capitalism and communism world. With its history and its economic power, it was and is in the avant-garde and a laboratory of what will happen in the near future.
2047 is the expiration date of the Basic Law which currently is giving the status of special administrative region (SAR) of China for 50 years.
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“Movement and tranquility alternate and become the root of each other,
Separating into yin and yang and so establishing the two modes….
The interaction of the two forms of qi transform and generate the myriad things.
The myriad things sprout out up again and again and change without end”
-Zhou Dunyin (1017–1073)
He was a Chinese philosopher during the Song Dynasty.
He conceptualized the cosmology,
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