Some cities once experienced a so-called golden age. Their legends originate either from their rich history or from something uniquely special that sets them apart from others. Cholon, founded in the late 18th century, was never part of Saigon—the city now known as Ho Chi Minh City. Its name means “big market,” reflecting its role as a vibrant Chinese trading community and serving as the commercial and cultural hub for Chinese immigrants settling in Saigon.
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Skyscrapers in Hong Kong are among the most iconic and impressive in the world, reflecting the city’s status as a major global financial hub and urban marvel. Hong Kong boasts one of the highest concentrations of skyscrapers globally, with over 7,000 buildings exceeding 100 meters in height.
To shape its iconic skyline with a more distinctive style, several renowned architects such as I.M. Pei for the Bank of China, N. Foster for the International Commerce Centre (ICC),
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The exhibition “Seas of Silk” by research-based artist Quang deLam at Lotus Gallery features a rich and multi-layered scenography. Complementing deLam’s paintings is a curated series of statues from the Óc Eo civilization.
These statues are drawn from photographs taken during a special August 2025 exhibition in Ho Chi Minh City dedicated to Vietnamese National Treasures.
This unique combination of contemporary paintings and and black and white photography provides essential contextual perspective,
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“This show will explore the dynamic interaction between XEM’s artworks, innovative installation concepts, and viewer engagement, creating a lively and evolving environment. Be part of it to experience the energy and creativity that XEM brings to the forefront of contemporary photography, as they continue to redefine the medium’s role in both archival truth and fictional creation.” Text by Vin Gallery
Visual artist Quang Lam explores the relationship between maps and territory. It is encapsulated in the famous expression “the map is not the territory,” coined by Polish-American philosopher Alfred Korzybski.
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Statement by the visual artist Quang Lam
“The Autograph Collection Hotels, in collaboration with Vinpearl Landmark 81, has launched the visionary project “Gallery in the Sky.” I would like to cultivate the values of international connections and exchanges, leveraging the unique setting of Vinpearl Landmark 81. My vision for “Gallery in the Sky” involves capturing captivating photographs of airplanes arriving from all corners of the globe, visible from the hotel. But invisible, they are like “Air Flows”.
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Written by Dr Bridget Tracy Tan
Director, Institute of Southeast Asia Arts – Art Galleries
Academic Advisor (Southeast Asian Arts)
Nanyang Academy of Fine Arts
Cách chụp của Quang Lâm hoàn toàn xoay quanh sự chơi, nhưng nó cũng xoay quanh trách nhiệm. Anh muốn người xem ý thức về cách họ trải nghiệm những trải nghiệm của họ, về điều gì xảy ra thông qua những suy nghĩ họ nghĩ,
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By Prof. Steve Bisson, Paris College of Art
Chief editor Urbanautica Institute
The living conditions of the masses have not always coincided with an earthly Eden. Even today, this is the case if we observe urbanism and, in particular, the state of the suburbs or the metropolitan densities that leave little space for green dreams. A terrace is already a privilege. In its progressive urbanization, the human species has distanced itself from nature,
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The Art Project – Air Skylen is participating the Biennale The Wrong 6th Edition, within the Pavilion ANIMA “Directory”, curated by Tam Nguyen, with advisories from Mai Huyen Chi & Xuan Ha and support from Duyen Le and Lien Nguyen
Review of the Art Project Air Skylen
This text has been written by the curator Tam Nguyen for the catalog of the pavilion ANIMA “Directory”
“Air Skylen (2022) embodies Quang Lam’s long-term research into the development of the Vietnamese airline industry.
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Most of the countries in the Far East have coastlines. These territories will be affected by the sea level rising such as the megacities of Bangkok, Ho Chi Minh City, as it is written in the new study of the French National Center for Scientific Research (CNRS), the University of La Rochelle in France and the National Center for Atmospheric Research in the United States (NCAR).
By 2100, nearly 50 million people will face this higher than expected rise in sea levels.
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The main idea of the Quang Lam’s work in this exhibition is to explore the concept of the Far-East Asia in which Saigon and Singapore were essential nodes for its representation.
From wikipedia about:
“The term first came into use in European geopolitical discourse in the 15th century, particularly the British, denoting the Far East as the “farthest” of the three “Easts”, beyond the Near East and the Middle East.[..] Significantly,
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