Photos d'art au Vietnam et tirages pour collectionneurs

Vietnam War – Special 50e anniversaire – De Hue vers la DMZ sur la Route QL 1

Carnet de voyage par le photographe Quang Lam

“A l’occasion du 50e anniversaire de la fin de la guerre, je décidais de m’aventurer jusqu’à la DMZ distante d’environ 100 km de l’ancienne cité impériale de Hué. Ce n’était pas la première fois que je séjournais dans cette région mais certainement un frein psychologique repoussait ma curiosité de prendre ce chemin qui remontait vers le Nord sans vraiment croiser de lieux touristiques plus culturels ou balnéaires.

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Photos par Huong Ky Studio – L’Empereur Bao Dai et Victor Tardieu visitant l’École des Beaux-Arts de l’Indochine en 1932

Cette série de photos jamais publiée provient de l’album « Hommage respectueux de la maison Huong Ky Photo à M. Le Ministre de l’Éducation nationale en mémoire du voyage de S.M. BAO DAI en Tonkin ».

La Galerie Inlen Photo est heureuse d’être la première à les montrer publiquement en collaboration avec la galerie française Vincent Joly dédiée aux arts d’Indochine à l’occasion du centenaire de la fondation de l’École des Beaux-Arts d’Indochine (1924-2024) aujourd’hui Université des Beaux-Arts de Hanoi.

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Zen Garden in “Digital Arts and Design – International Conference and Exhibition”, Bangkok 2024

Gardens hold a significant place in various mythologies around the world, often symbolizing paradise, creation, and the divine. More then now then ever gardens provide a direct connection to nature, offering a peaceful escape from the hustle and bustle of daily life.

In Japanese mythology and Zen Buddhism, gardens are seen as places of meditation and reflection. They often symbolize the natural world in its most essential and abstract form. Early gardens were influenced by Chinese garden philosophy,

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Mountains and People of Ha Gian Region

“I’m contemplating the mountains crossed by the stripes in geometric pattern similar to the locals clothing fabrics. These people have found refuge here, among the heights that scare both Hans and Kinh people from the lowlands. To grow rice, they patiently engraved the land into embroideries of laces that are stretched as far my eyes can see. These strata are marks of time like the concentric circles of a tree.
After this stop, my guide Nam and I get back on our bike to reach Dong Van before nightfall.

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Tales from the Land of Dragons

This series intricately depicts selected nodes of the different threads woven throughout the last century of Vietnamese history, employing narrative elements reminiscent of a compelling tale.

According to ancient Vietnamese mythology, the people of Vietnam are believed to be descendants of a dragon and an Immortal.  The prominent myth of the origins of the Vietnamese people involves Lạc Long Quân, a dragon lord, and Âu Cơ, a fairy, who had 100 children from 100 eggs.

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Series – Souls migration to the Mekong Delta

Photographer Quang Lam delves into the profound context behind his latest series. 

“It all began with my exploration of my family’s ancestral tombs in Bac Lieu. According to family records, our ancestral vault is situated in the tranquil village of Hoa Binh, in the sub-prefecture of Vinh Loi, Bac Lieu province. My father was born in this village, which is home to around 2,000 residents and lies just 5 kilometers from the coast.

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Fiction or Reality – The scream at Long Bien Bridge

This series discusses the interplay between documentary and fiction in storytelling, drawing on quotes from Jean Luc Godard, a key figure in the French New Wave :

 “All great fiction films tend toward documentary, just as all great documentaries tend toward fiction . . . One who opts for one necessarily finds the other at the end of his journey.” “A story should have a beginning, a middle, and an end… but not necessarily in that order.”

It highlights that effective narratives often combine elements of both genres,

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