By Prof. Steve Bisson, Paris College of Art
Chief editor Urbanautica Institute
THE WEIGHT OF REMEMBRANCE AND TIME SCLEROSIS
“Strips of land emerging from the sea of amnesia, that\’s memory. Sooner or later, they will sink. So, sailing in time to explore their internal geography may be fruitful.”
“[…]Quang Lam’s work offers an excellent visual viaduct to its understanding by depicting the iconic history of the so-called Independence Palace of Vietnam.
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Written by Dr Bridget Tracy Tan
Director, Institute of Southeast Asia Arts – Art Galleries
Academic Advisor (Southeast Asian Arts)
Nanyang Academy of Fine Arts
“Quang Lam’s style is unquestioningly about play, but also about accountability. He wants the viewer to know how we experience what we experience, through what we enact and the thoughts we think, the ways in which we move. His contribution to the exhibition is a series of installations demonstratng the state of the world.
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By Prof. Steve Bisson, Paris College of Art
Chief editor Urbanautica Institute
The living conditions of the masses have not always coincided with an earthly Eden. Even today, this is the case if we observe urbanism and, in particular, the state of the suburbs or the metropolitan densities that leave little space for green dreams. A terrace is already a privilege. In its progressive urbanization, the human species has distanced itself from nature,
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This series has been displayed at Sa Sa Art Projects in Phnom Penh (Cambodia) with the XEM collective
Excerpt for the presentation text by curator Lyno Vuth
“In the exhibition, physical works by each of the five artists take forms extending from their presentation in the magazine. The works presented here by XEM deal with not only what separates us but also what bonds and unites us. The very same things can produce multiple complex effects.
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BETWEEN THE CAVE AND THE SUN
by Steve Bisson
«True rebellion is what calls into question the preconstituted order, not that it neglects it in favor of a permanently anarchic or hedonistic immaturity.»
In Quang Lam’s recent series ‘Hong Kong 2047’ the photographer alternates some vertical portraits of grotesque skyscrapers, depicted almost as if they were totems, with close-up images of remote control and surveillance systems. The cold linear,
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The texte has been written by Blanche CARDONER (Ecole du Louvre)
in her study – Contemporary photography Vietnamese and memory, Selection of works by contemporary Vietnamese artists or the diaspora working on their History
Manifestations and reminiscences of History: Quang Lam, R Like (2012 – 2015)
Quang Lam, on the contrary, is interested in a space highly representative of Vietnamese history in R Like… (2012 – 2015). The series may also be titled Reunification’s Reminiscence.
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