Skyscrapers in Hong Kong are among the most iconic and impressive in the world, reflecting the city’s status as a major global financial hub and urban marvel. Hong Kong boasts one of the highest concentrations of skyscrapers globally, with over 7,000 buildings exceeding 100 meters in height.
To shape its iconic skyline with a more distinctive style, several renowned architects such as I.M. Pei for the Bank of China, N. Foster for the International Commerce Centre (ICC),
[…]
The Evolution of the “Far East” Through Travel and Art
The article traces the evolution of the concept of the “Far East” from a romanticized travel destination to a complex, multicultural identity. It begins with a personal reflection on how a vintage photo album of a French tea producer’s journey to Vietnam sparked a feeling of authentic travel, a sensation lost in modern, routine air travel. This sentiment is contrasted with the early travelogue of Goethe’s “Italian Journey,”
[…]
Gardens hold a significant place in various mythologies around the world, often symbolizing paradise, creation, and the divine. More then now then ever gardens provide a direct connection to nature, offering a peaceful escape from the hustle and bustle of daily life.
In Japanese mythology and Zen Buddhism, gardens are seen as places of meditation and reflection. They often symbolize the natural world in its most essential and abstract form. Early gardens were influenced by Chinese garden philosophy,
[…]
This series intricately depicts selected nodes of the different threads woven throughout the last century of Vietnamese history, employing narrative elements reminiscent of a compelling tale.
According to ancient Vietnamese mythology, the people of Vietnam are believed to be descendants of a dragon and an Immortal. The prominent myth of the origins of the Vietnamese people involves Lạc Long Quân, a dragon lord, and Âu Cơ, a fairy, who had 100 children from 100 eggs.
[…]
“This show will explore the dynamic interaction between XEM’s artworks, innovative installation concepts, and viewer engagement, creating a lively and evolving environment. Be part of it to experience the energy and creativity that XEM brings to the forefront of contemporary photography, as they continue to redefine the medium’s role in both archival truth and fictional creation.” Text by Vin Gallery
Visual artist Quang Lam explores the relationship between maps and territory. It is encapsulated in the famous expression “the map is not the territory,” coined by Polish-American philosopher Alfred Korzybski.
[…]
In cartography, terra incognita refers to regions that have not been mapped or documented. The expression is believed to have first appeared in Ptolemy’s Geography around 150 CE1. It denotes unexplored or unfamiliar territories. Interestingly, the phrase has also been used metaphorically to describe any uncharted subject or field of research
This series captures the in-situ construction of a Terra Incognita that unfolded over several months. In an exposed ruin, buffeted by rain and wind,
[…]
Written by Dr Bridget Tracy Tan
Director, Institute of Southeast Asia Arts – Art Galleries
Academic Advisor (Southeast Asian Arts)
Nanyang Academy of Fine Arts
“Quang Lam’s style is unquestioningly about play, but also about accountability. He wants the viewer to know how we experience what we experience, through what we enact and the thoughts we think, the ways in which we move. His contribution to the exhibition is a series of installations demonstratng the state of the world.
[…]
The main idea of the Quang Lam’s work in this exhibition is to explore the concept of the Far-East Asia in which Saigon and Singapore were essential nodes for its representation.
From wikipedia about:
“The term first came into use in European geopolitical discourse in the 15th century, particularly the British, denoting the Far East as the “farthest” of the three “Easts”, beyond the Near East and the Middle East.[..] Significantly,
[…]
This series has been displayed at Sa Sa Art Projects in Phnom Penh (Cambodia) with the XEM collective
Excerpt for the presentation text by curator Lyno Vuth
“In the exhibition, physical works by each of the five artists take forms extending from their presentation in the magazine. The works presented here by XEM deal with not only what separates us but also what bonds and unites us. The very same things can produce multiple complex effects.
[…]
The texte has been written by Blanche CARDONER (Ecole du Louvre)
in her study – Contemporary photography Vietnamese and memory, Selection of works by contemporary Vietnamese artists or the diaspora working on their History
Manifestations and reminiscences of History: Quang Lam, R Like (2012 – 2015)
Quang Lam, on the contrary, is interested in a space highly representative of Vietnamese history in R Like… (2012 – 2015). The series may also be titled Reunification’s Reminiscence.
[…]
