{"id":3655,"date":"2019-09-16T03:11:51","date_gmt":"2019-09-16T02:11:51","guid":{"rendered":"http:\/\/www.inlen.photo\/\/?p=3655"},"modified":"2019-09-16T08:12:22","modified_gmt":"2019-09-16T07:12:22","slug":"narrative-structures","status":"publish","type":"post","link":"https:\/\/www.inlen.photo\/de\/gallery\/exhibitions\/narrative-structures","title":{"rendered":"Narrative Structures"},"content":{"rendered":"\n<p>&nbsp;\u201cAll great fiction films tend toward\ndocumentary, just as all great documentaries tend toward fiction . . . One who\nopts for one necessarily finds the other at the end of his journey.\u201d \u201cA story\nshould have a beginning, a middle, and an end\u2026 but not necessarily in that\norder.\u201d<\/p>\n\n\n\n<p>These quotes are from Jean Luc Godard, most influential director of the French New Wave in the 60s which brought life into film with visual experimentation, included fragmented, discontinuous editing, and long takes.<br> <br><\/p>\n\n\n\n<p>The narrative is hence a two-way\nrelationship between documentary and fiction, between reality and the\nimaginary. Stories are divided into sequences to give the rhythm but also to\nconvey the meaning. Some photographers and filmmakers like Duane Michals and\nChris Marker are known for their interest of sequencing still images.<\/p>\n\n\n\n<p>This\nshowcase is about the practice of narration by photographer Quang Lam. &nbsp;By using all these combinations in an unusual\nway, he explores different logics trying to reveal the specific properties of his\nmedium which is \u201cbetween cinema and novel \u201c- Roland Barthes.<\/p>\n\n\n\n<p>His\nmethod relies on the \u201cobjective hazard\u201d as Documentary but also on some\nshootings carefully planned and staged as Fiction. Links between Documentary\nand Fiction as well as the temporal relations can be distended in purpose.\nThese great degrees of freedom will allow the appearance of the narrative specific\nto Photography that he is looking for.<\/p>\n\n\n\n<p>&nbsp;\u201cThe scream\u201d Sequence<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Shooting elapsed time: 20 seconds<\/li><li>Type : Documentary \/ Location : Hanoi<\/li><\/ul>\n\n\n\n<p>\u00a0<\/p>\n\n\n\n<p>\u201cAfter seeing of the sun\u201d Sequence<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Shooting elapsed time : 1 hour<\/li><li>Type: Fiction \/ Location : Hue<\/li><\/ul>\n\n\n\n<p><\/p>\n\n\n\n<p>\u00a0\u201cPatterns of Thought\u201d Story<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Shooting Elapsed time : 1 year<\/li><li>Type : Documentary and Fiction \/ Location : Saigon<\/li><\/ul>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;\u201cAll great fiction films tend toward<br \/>\ndocumentary, just as all great documentaries tend toward fiction . . . One who<br \/>\nopts for one necessarily finds the other at the end of his journey.\u201d \u201cA story<br \/>\nshould have a beginning, a middle, and an end\u2026 but not necessarily in that<br \/>\norder.\u201d<\/p>\n<p>These quotes are from Jean Luc Godard, most influential director of the French New Wave in the 60s which brought life into film with visual experimentation,<\/p>\n<p> [&#8230;]<\/p>\n","protected":false},"author":1,"featured_media":3662,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[52],"tags":[146,286],"class_list":["post-3655","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-exhibitions","tag-conceptual","tag-fiction","post_format-post-format-gallery"],"_links":{"self":[{"href":"https:\/\/www.inlen.photo\/de\/wp-json\/wp\/v2\/posts\/3655","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.inlen.photo\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.inlen.photo\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.inlen.photo\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.inlen.photo\/de\/wp-json\/wp\/v2\/comments?post=3655"}],"version-history":[{"count":0,"href":"https:\/\/www.inlen.photo\/de\/wp-json\/wp\/v2\/posts\/3655\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.inlen.photo\/de\/wp-json\/wp\/v2\/media\/3662"}],"wp:attachment":[{"href":"https:\/\/www.inlen.photo\/de\/wp-json\/wp\/v2\/media?parent=3655"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.inlen.photo\/de\/wp-json\/wp\/v2\/categories?post=3655"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.inlen.photo\/de\/wp-json\/wp\/v2\/tags?post=3655"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}